In this Anatomy of a Photo, photographer Steve Bliss shares his story of collaboration with painter friend John Hull, as Steve’s photographs comes full circle and uses, not only his boys, now adults, but also “graphic information” around images, something he explored as a very young artist.

In this Anatomy of a Photo, photographer Steve Bliss recounts how, when they were young, his two boys became his photographic subjects and how he realized that they were stand-ins for him or, as he says, vice versa.  In any case, it’s part of the joy and drama of being father who was once also a child.

Steve Bliss is serious about the value art (his art) can bring to a fractured society, yet he recognizes that elements of art can also be used to manipulate a culture. Bliss believes there is a truth that can be approached through photography, despite its proclivity to nostalgia—capturing a romanticized or idealized feeling of the past—and he appreciates the turn photography has taken toward awakening a sense beyond nostalgia.

Meryl Truett is a curator, gallerist, teacher, consultant, and artist. She earned an MFA from Savannah College of Art and Design. After years in the United States, where she taught and produced works such as Vernacular Highway and a photography book, Thump Queen and other Southern Anomalies (in its second printing), she moved to the magical pueblo of San Miguel de Allende, Mexico. Meryl continues to exhibit—in the US, Europe, and now Mexico. Her current work mixes photography with other media in order to excavate her past. She speaks of such excavations in this episode of Artists Telling Stories.

Josephine Sacabo’s art seeks transcendence and connection. She eschews any chasing after artistic fashion in favor of diving into what she loves. In this way she connects with those who view her work. The many layers of her work evoke layers of being, some disturbing, yes, but ultimately transcending such disturbance to “come full circle” with compassion and beauty.