In this Anatomy of a Photo, photographer Steve Bliss shares his story of collaboration with painter friend John Hull, as Steve’s photographs comes full circle and uses, not only his boys, now adults, but also “graphic information” around images, something he explored as a very young artist.

In this Anatomy of a Photo, photographer Steve Bliss recounts how, when they were young, his two boys became his photographic subjects and how he realized that they were stand-ins for him or, as he says, vice versa.  In any case, it’s part of the joy and drama of being father who was once also a child.

Steve Bliss is serious about the value art (his art) can bring to a fractured society, yet he recognizes that elements of art can also be used to manipulate a culture. Bliss believes there is a truth that can be approached through photography, despite its proclivity to nostalgia—capturing a romanticized or idealized feeling of the past—and he appreciates the turn photography has taken toward awakening a sense beyond nostalgia.